暖暖内含光结局

我喜欢，/暖暖内含光/这个中文译名,听起来温存暖意, 象冬日午后温暖的阳光,当然最佳剧本的查理·考夫曼不懂中文,而且我英文超烂,但这不影响我对一个资深编剧的褒贬。
我只想说金式幽默在查理·考夫曼的框架下被磨成了大愚，Jim Carrey的拥趸瞬间升华为大智，每个演员都有权利改变自己一成不变的style，或许这本身就是一种style，但我认为加上「The truman show」and 「Mask」,我们可以看到老金丰富厚实的演绎技巧。好电影用来回味的，我自认为，Charlie Kaufman 是一个真正意义上的编剧，也许有些观众会认为如此暧昧晦涩的剧情让人摸不着头脑，恰恰相反，其实这正是引人入胜的地方；就像「The Davinci Code」剧本或者说小说的吸引力远远大于演员的强大阵容；因为当你很在意一家餐厅的饭菜时，厨师的手艺因该是刺激你味觉的真正的导火索。
「Adaptation」 「Eternal Sunshine of the Spotless Mind」
「Human Nature」「Being John Malkovich 」Charlie Kaufman因此会走得更远。

爱的伤痛有时也是充满诗意的，当KRISTEN DUNST伤感地念出这首诗，完全震撼了。后来专门在网上搜来这首诗，爱不释手（有点长）：
Eternal Sunshine of the Spotless Mind
Eloisa to Abelard　by Alexander Pope
In these deep solitudes and awful cells,
Where heav'nly-pensive contemplation dwells,
And ever-musing melancholy reigns;
What means this tumult in a vestal's veins?
Why rove my thoughts beyond this last retreat?
Why feels my heart its long-forgotten heat?
Yet, yet I love! — From Abelard it came,
And Eloisa yet must kiss the name.
Dear fatal name! rest ever unreveal'd,
Nor pass these lips in holy silence seal'd.
Hide it, my heart, within that close disguise,
Where mix'd with God's, his lov'd idea lies:
O write it not, my hand — the name appears
Already written — wash it out, my tears!
In vain lost Eloisa weeps and prays,
Her heart still dictates, and her hand obeys.

【暖暖内含光】每一个碎片，都是一首诗
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